With that, it is also deeply rooted in the American pulp magazine tradition of the 1920s and 1930s and has to engage not just with its treasures, but also its failings—most prominently the virulent strains of racism and misogyny that cannot be conveniently isolated and disassociated particularly from Lovecraft’s work. Therefore, the Voidpunk universe follows the example of many modern writers who both adopt and subvert Mythos motifs in their own contributions to this shared fictional universe.